Tuesday, August 6, 2013

Theatre Art



Theatre appears to exist and have existed in all societies in some form.
Some things have theatrical elements (parades, gameshows, sports, dances, religious services, political campaigns), but they are different from theatre, the art form.
Theatre as an Institution:
Origins of Theatre -- Theories:
No clear evidence, so all theories are conjecture.
Aristotle suggested that mimesis (imitation) is innate in humans; theatre probably came from the dithyramb, a hymn sung or chanted before religious rituals in honor of Dionysus, the god of wine, rebirth, and fertility. The word "tragedy' seems to have come from the Greek words for "goat" and "song"--so tragedy was a goat-song (whether sung to, by, or for the goat is anyone's guess).
1. Storytelling -- pleasurable and natural, a narrator elaborates by impersonating.
2. Movement / Dance -- imitating physical behavior of animals and humans, donning skins as garments -- eventually talking was added.
3. Judicial System -- necessity to speak in court required expansion, desire to perform and see performances.
4. Supreme act of an unidentified artist (Perhaps Thespis, perhaps Aeschylus) -- a revolutionary discovery -- to synthesize many other already existing elements.
5. Ritual Theory --This is the most pervasive and accepted of theories, but much questioned.
--From primitive religious rituals usually connected with spring and the seasonal cycle, drama evolved--
--Few say that theatre came directly from ritual, but that ritual influenced theatrical forms--
--Sir James Frazer's theory (late 19th century) -- primitive cultures with no written language performed rituals to win the favor of natural forces, then it is formalized, then stories grew up to explain the rituals -- people were impersonating gods, beings, or forces-- and there resulted a developing dramatic sense--
--Eventually, rituals were abandoned or modified, but myths / stories remain as oral tradition. A big step toward drama occurs when these are acted out in simple drama.
--Aesthetic gradually overtakes the religious or utilitarian aims of ritual.

Against ritual theory -- functionalists -- 1915 --
--Suggest the possibility that cultures develop differently from one society to another-- they argue against the "cultural Darwinism" which holds that all human institutions have developed similarly-- and suggest that perhaps that not the case.
 Theatre is a combination of many art forms, but when put together equals more than the sum of its parts.
A.  Theatre is a Literary Art : The Play
Perhaps the only concrete and lasting (permanent) element of the theatre.
The other elements are ephemeral (non-permanent) [Except for perhaps set and costume design, of which photos can keep a permanent record].
We have to look at the play in combination with its time and place -- its context -- for better understanding.
What makes a good play?
Theorists throughout history have disagreed and bickered about what makes a good play. Most base their arguments at least in part on Aristotle or variations of Aristotle - the Poetics (334 BC)-disagreeing, agreeing, or reinterpreting.
Although there is not one coherent theory of a good play, many basic premises have been determined by which we can evaluate a script -- realizing, however, that our criteria may not necessarily be the same as the criteria for a good play when the play was written - how the play was looked at at the time.
Interpretations / evaluations are different based on different ways of looking at the world, at people, at life, and at the nature and purpose of the theatre.
By looking at various theories and examining playscripts of different styles and periods, our ability to discern and evaluate aesthetic elements of the drama will become more acute.
B.  Theatre is a Performing Art: The Production
The most ephemeral and immediate.
"The home of the now" (according to Cameron and Gillespie).
Robert Edmund Jones (early 20th century designer) -- "aware of the now".
An art for everyone.
Acting, directing, design, construction, running crew (musicians, singers, dancers).
An amalgam of all the arts -- making it either the least pure or the most pure.
Needs talent and skill to plan and execute, from all elements of the production.
Final product is a result of the efforts of many.
We can increase aesthetic and technical appreciation for the individual arts going into make theatre and for the different styles and periods of theatre.
C.  Theatre is a Major Form of Entertainment:
Holds audience's attention-the primary form of public entertainment until the advent of radio and movies.
Theatre is fun: theatre is play (work, food, exercise) for the soul, for the mind, for the body.
All work and no plays would be boring.
Eric Bentley - suggested the concept of "eros" is essential for theatre - actual sweating breathing human beings in front of us --

Perhaps we could look at the theatre in at least four ways:
  1. as entertainment / art
  2. as instrument of education
  3. as weapon of social / political change
  4. as document of history -the plays and the theatrical events of various periods can be seen as historical documents reflecting that period.

Monday, August 5, 2013

YORUBA

GBIGBA AWON ENIYAN SINU IJO PELU IFE (APA KEJI)

1. EKO.
Aimokan ni oogun. Oogun re naa ni wiwa imo. Imo ni idakeji, agbara ni imo je. Ni afikun, o je ohun-elo ironi lagbara. O ye ki eni ti a gbala ti ba Olorun pade. Sugbon sa, o le ma mo nipa Olorun pupo ati bi o ti le ba a rin lons ti o lere. O nilo ki a se eto igbani-wole to fanimora fun awon omo Ijo titun.
Rick Warren fi lele wi pe, Ijo kankan ko gbodo yehun lori otito pe won nilo lati je ki omo Ijo titun la liana eto ifinimole koja ki a to gba won sinu Ijo lekunrere. O da a loju pe eyi ni idanwo akoko fun didan ifara-eni-jin omo Ijo titun si Ijo wo nipa gbigba lati gba eko fun ete ati ilana Ijo.
O damoran pe a gbodo beere pe ki omo Ijo titun naa pari kilaasi re nitori pe o je okan lara agbara Ijo ati ona lati pese awon ti yoo mu idagbasoke ba ara Kristi.
Ohun ti wa loke yii n gbiyanju lati so fun wa pe enikeni ti oba kuna lati gba eko Ijo le ma je ohun-elo rere fun mimu ara Kristi dagba. Bibeli n ko wa pe,
Gbogbo iwe Mimo ti o ni imisi Olorun ni o si ni ere fun eko, fun ibani-wi, fun itoni, fun ikoni ti owa ninu ododo. Ki eniyan Olorun ki o le pe, ti a ti mura sile patapata fun ise rere gbogbo. (Timotiu keji 3:16-17). Ni afikun, Olorun ti fi awon kan funni bi Aposteli; ati awon miran bi Wolii; ati awon miran bi efangelisti, ati awon miiran bi oluso-aguntan ati olukoni; fun asepe awon eniyan mimo fun ise-iranse, fun imudagba ara Kristi: titi gbogbo wa yoo fi de isokan Igbagbo ati imo omo Olorun, titi a o fi di Okunrin, titi a o fi de iwon gigun ekun Kristi: ki awa ki o mase je ewe mo ti a n fi gbogbo afefe eko ti siwaju ati seyin, ti a si n gba kiri, nipa itanje eniyan nipa arekereke fun ogbonkogbon ati muni sina (Efesu 4:11-14).
Fun idi eyi, a gbodo ko awon eniyan lati mo ohun t se awon ilana ati ise Ijo. Gege bi omo Ijo Onitebomi, a ni awon ogun ti wa to yato, to si niye lori. A gbodo mu ki awon omo Ijo titun mo, o kere tan, awon ipo ilana onipele-meje ti o wa nisale yii.
i. Ase Bibeli ati Jesu Kristi nikan.
ii. Iribomi awon onigbagbo nipa itebomi patapata.
iii. Ounje ale Oluwa gege bi ounje iranti ti Olorun le lo fun ete Re.
iv. Okan yiye : gbogbo awon onigbagbo ni I se alufa.
v. Iduro-sinsin ipamo awon eniyan Mimo.
vi. Ominira esin.
vii. Idaduro Ijo agbegbe.
Bi enikeni tabi Ijo kan ba kuna lati safihan awon ilana ati ise to je mo awon wonyi, lati inu itan wa ni awo omo Ijo Onitebomi ti maa n setan lati so pe “Bi ko ba gba pelu wa lori awon Igbagbo apapo wonyi, Nigba naa, iwo ki se omo Ijo Onitebomi.”
2. IYASIMIMO
Die lara awon ti won la awon ipele marun-un akoko yi koja le pinnu lati duro ninu Ijo tabi lati ma se bee. A da a nimoran pe ki afi awon ti won ti se ipinnu won han fun Ijo laarin isin. A gbodo ko awon ti a ko ti I se iribomi nipa itebomi patapata fun lekoo si. A gbodo mu ki won fi oro-jomitoro-oro pelu awon adari die ninu awon adari eka Pataki ninu Ijo.
Ni saa kookan a gbodo yan ojo isinmi kan fun fifi awon omo Ijo titun han fun gbogbo Ijo lapapo. A gbodo ka oruko won jade tabi ki a ko won sinu iwe isin Ijo fun ojo naa bi a ba ni. Gbogbo awon diakoni, olutoju ohun-ini Ijo, awon omo igbimo Ijo ati awon kan ti ati yan (Awon alaga elegbe-jegbe, nibi ti o ti ye) gbodo fun won ni owo idapo.
A gbodo mu ki won ka, ki won si fi owo si Majemu Ijo ati Majemu omo Ijo, bi oba wa. A gbodo fun eni kookan won ni iwe ofin Ijo ni gbangba. Bi Ijo ba le pese ounje idapo leyin isin, ko buru.
3. MIMU WULO.
Niwon igbati awon naa ti di omo Ijo, a gbodo gba won niyanju lati darapo mo awon agbo ipejopo, bii ile eko ojo isinmi, kilaasi isonidomo-eyin, ipade atile-dele, abbl. Eyi ni igbanimora. Eni kookan won wa ni ominra lati lo awon ebun emi ati talenti re fun idagbasoke iru Ijo Onitebomi agbegbe bee.
ORO IPARI.
Awon ilana to fanimora wa ti ole ran ni lowo lati gba awon omo Ijo titun mora, awon naa ni a to si isale yii:
a. Igba/ Akoko.
A gbodo ye ohun ti a fe se wo. A gbodo mi ki ilana na rorun lati tele, ikonilekoo naa gbodo je eyi ti o kun oju osunwon.
b. Idanilekoo.
Eni ti n dani lekoo naa gbodo mura sile. Gbogbo awon ohun-elo ikekoo gbodo ti wa nile ki oniwaasu to bere si maa ko awon eniyan jo. Oniwaasu funra re tabi eni ti o yan gbodo fi ara re han gege bi eni ti o mo nipa eto ifinimole awon omo Ijo titun.
d. Sise Pele.
Bi oniwaasu ti n ko awon alejo jo, iwa ibowo fun ipo awon eniyan, eya won lokunrin ati lobinirin, iru eni ti won je, ipilese ati orile-ede ibi won gbodo je e logun.
AWON IBEERE FUN AYEWO ATI IJIRORO.
1. Kin ni a le se lati mu ki gbogbo Ijo dide si ise iwaasu Ihinrere?
2. Kin ni idi ti awon omo Ijo titun fi maa n ko lati lo si kilasi ifinimole, kin si ni a se lati satunse eleyii?
3. Nje o ni awon Igbagbo ti awon omo Ijo dimu, eyi ti o ye ki a se ayewo won? E so iru awon Igbagbo bee ki e si jiroro lori die ninu won.
4. kin ni amuye awon ti won gbodo ko awon omo Ijo titun ni eko isonidomo-eyin.
5. Jeki enikan pin oye re nipa Ogun Ijo Onitebomi pelu kilaasi.